Zero...
two, seven, eight, three, eight, nine, eight, six, five, eight, four.
Take in sail!
- Shout ahead! - Right there.
- On four! - One.
Two.
Three.
- Are we still here? - Aye.
The truth is Hilma af Klint tells us that her art
isn't abstract imaginations.
She painted what she saw
and what the spirits guided her to paint.
There's a woman here to see you.
Hilma.
She says she's your sister.
Oh no.
What does she want?
She said something about building a temple.
Her bloody temple.
She has a drawing to show you.
Who is it?
Hilma the witch.
Tell her I'm dead.
Mr. af Klint is asleep.
He's not feeling too well.
I'm sorry.
No. No.
I'll burn them. That's what you wanted, wasn't it?
One,
two,
three...
four...
five,
six,
seven,
eight,
nine,
ten,
eleven...
98,
99,
100.
Ready or not...
here I come.
Hilma?
- Where were you? - Up there. Hiding.
You scared me.
- I saw you the whole time. - Did you?
Hermina?
- You see anything? - No.
Wait.
I want to go home.
Scientists can't just go home. We need to be patient.
I'm hungry.
I don't think I want to be a scientist anymore.
What did you find?
Hilma! Look at the shape.
Yes, it's a spiral.
- It's from the Stone Age. - It's beautiful.
It must be.
Must be.
Hilma!
Hello.
It's a skeleton.
But why are they digging it up?
They want to study it.
They're scientists too.
Hermina, how do you know it was a "she"?
- You could tell. - How?
From the skeleton.
- Right there. - That's impossible.
It was a Stone Age soldier and it was a she.
- Have some lingonberries. - Thank you.
- My drawings. - Careful.
- The birds... - Hermina.
- I want to study the birds. - Yes, the birds and all the animals.
And the flowers, all that grows...
You can't determine the gender based on the skeleton. Absurd!
- Absurd? - Gustaf, don't be so sure.
It's just not science, is it? If you think of it...
- Hilma? - I'm here.
Where are we on the map?
NAUTICAL CHART BY GUSTAF AF KLINT
Here somewhere.
Look! The numbers.
Yes.
He measured everything.
Grandfather was a scientist too.
35.
18.
He sailed around the whole world.
27.
To measure the depths. Everywhere.
So ships wouldn't get holes in them and sink.
That's right.
One fathom...
two fathoms...
three fathoms...
13 fathoms...
14 fathoms,
15 fathoms.
How deep can it get?
Deep.
We'll make our own map one day, Hermina.
Of everything.
Everything in the world.
And everything else too.
'Cause we're scientists.
98, 99, 100.
Ready or not, here I come!
You're too fast for me.
What's that cough?
- How is she? - You can't be in there now.
- Why? Why? Let me go... - She needs to rest.
Why?
Is her fever down?
Hilma!
Hilma! Hilma!
- Don't... - Papa, please, I have to see her!
- No, no. - Please. Please.
Hilma.
No.
Tell me where you are, Hermina.
And then, all of a sudden,
it just went dark...
and these really strong winds came in,
so from...
out of absolutely nowhere,
we found ourselves in the middle of a raging storm.
I want to study the world...
to see how things are connected.
Are you interested in anything else than flowers?
Mathematics,
geometry, biology,
astronomy.
My father taught me everything.
What about arts?
Art...
is a tool
in my research.
A tool?
Yes.
We're making a map of everything.
We?
I need to learn how to paint.
Oh yes, I mean, these are very decorative, I must say that, though.
- They're studies. - Studies? Studies of what?
I didn't mean to decorate.
MESSAGES FROM THE UNSEEN WORLD
ROYAL ACADEMY OF FINE ARTS
Excuse me, where are you going?
The technical school for artists.
For painters.
The women's entrance is in the back.
A little mistake there, miss.
We've had a few very talented female painters here
since we started the ladies' section a few years ago.
Some really artistic things.
Look at this from last year.
You can't even tell it was painted by a woman, can you?
No.
Can you?
Teacher's pet.
Did you see that?
- He's coming... - She's mad.
Draw what you see.
We're less interested in your fantasies.
My fantasies?
Aren't those things real?
Miss Klint, a word, please.
So what does Hilma want to learn here?
I want to understand the secrets of life.
And everything else too.
I'm Anna.
- Nice to meet you. I'm Hilma. - I'm trying on a new dress.
Do you want to come along?
- They live on Kammakargatan. - Which way?
I think it's this way.
Oh no. Women only.
Use the front door, young man.
All right.
Go on in. Enjoy.
You're ridiculous.
I have my ways.
Lots of these outfits.
One for this season.
Excuse me.
SPIRITIST SCRIPTURES
Hilma, what do you think? Isn't it gorgeous?
- It's beautiful. - Look how it moves.
- Thank you so much. - It's perfect on you.
I love it.
Take one.
- Thank you. - We publish them monthly.
Here. Would you like one?
It's my sister, Mathilda. She's the editor.
- It's our magazine. - Thank you.
It's on Spiritism.
Cornelia does the drawings. I do the writing.
- I do. - You never told me you're an artist.
- She's a good one too. - I'm not an artist like you.
Hilma's an incredible artist as well.
- She goes to school with me. - Do you?
I'm so envious.
THE TRUTH SEEKER
"The spirit survives through time and place.
All matter is conscious.
All matter has life.
All life reincarnates."
Today, when our Christian religion
is being questioned and undermined...
we can still trust in the presence of the spirits.
They surround us...
and are always willing to communicate with us.
That's Sigrid. She's a really powerful medium.
This higher consciousness is the immortal part of ourselves.
The part that never dies.
Just as when we sleep
and our dreams liberate our body from our mind...
it is death that liberates the spirit,
so that we can reincarnate and return to this earth.
We theosophists see no conflict
between science and religious belief.
But it is religion,
all religions...
that explain the truth of our higher consciousness.
That which cannot be seen.
I was dead, but I could see myself from above,
lying in the hospital bed.
- No! - Saw it?
It was like I was floating, looking down on myself.
And I saw the doctor slap my face,
trying to wake me up.
But I was dead.
But I could see and hear everything.
I was in another world.
- And there was this bright light... - Light?
...spinning all around me.
It's so hard to explain, because there isn't a light on earth like it.
She wasn't even dead. She was hallucinating.
And she survived.
INSIGHTS INTO THE HIDDEN LIFE OF THE HUMAN SOUL
Hilma, Miss Cassel is here.
Coming!
- Sigrid. - Hello.
- I'm Hilma. - Hilma. Lovely to meet you.
Nice to meet you. Your home is beautiful.
- Hello, I'm Anna. Cornelia's friend. - I heard you were both coming.
- Thank you for having us. - Of course.
Listening to the dream.
To all the dreams.
Without knowledge...
this realm is but an illusion.
'Tis a spiral.
That is the key.
Disappear.
Brush with the infinite is near.
An angel is present here.
Courage to focus on the dreams.
At the end of the breath there is a key.
Seven thresholds.
Three is the first wave.
And, er...
- Well, hello. - Oh please...
Come on now, love. What's going on here?
I told you we were having a gathering tonight.
A gathering?
So this is a gathering?
You should have told me before. I would have brought more friends.
Darling. Darling, come here.
Have you met any boys you like there in school?
I love them.
Love them all.
Victor, dessert!
Yeah. Coming.
You're not going to paint for an eternity, are you?
No one wants to marry a girl who keeps painting all day.
I don't go to school to get married.
Papa, come.
You know we can't afford to take care of you.
I know.
Victor!
Yes. Is there a problem?
Ask Mother.
I don't have a problem.
You should go to war instead of playing the fiddle.
I should find a husband instead of wasting time in art school.
Right, Mother?
Could you just for once do something that girls would do?
What's for dessert?
When you think about how old this building is...
Our most distinguished student.
Hilma af Klint. Please.
I just heard! You and I will share an atelier.
Oh my gosh. I wasn't sure what I was going to do.
I thought I'd have to live with my parents after school.
Belle, what are you doing with the flowers?
- Hold them out to your brother? - No.
No, this is... Belle!
Remember you love your brother very much.
And you want to give him flowers.
Can we please have the flowers? There.
And bring your chin down a touch.
A token of love.
Hands out of your pockets and stand up straight.
- Sorry. - Belle, please.
Don't worry. Leave that. I've got it drawn in.
The flowers are behind her back. I only paint what I see.
If you could imagine the flowers being presented to her brother...
Flowers out front.
There we go. Beautiful flowers.
"To really get to know the world...
look deeply within your own soul.
And to really get to know yourself...
take an interest in the world."
That's good.
Makes sense.
"In the world..."
And here it is.
Who wrote it?
Rudolf Steiner, an Austrian philosopher.
He says colour is the soul of nature and the universe.
And through colours we receive messages from the soul.
That's good too.
I must have met this man in an earlier life.
He's like my soulmate.
I need to sell a painting soon.
Do you? Why?
I need the money.
Grandfather gave us the noble name...
but money didn't come with it, unfortunately.
I'm the opposite.
Common name. Pots of money.
Money's never interested me.
Only rich people don't care about money.
Look at this.
They're so beautiful. Look at those birds. Can you see?
If I could die...
for just a second...
just to see what it would look like on the other side...
I'm not so sure.
Where is that "other side"?
What does it look like?
Someone who's achieved depth of soul...
will look at this and they won't see just water...
they see God's creation.
Hear that, water? You're God's creation.
It's so pleased. Listen to it.
Faster! Faster!
I'm back at sea, Hilma.
My heart.
But don't worry about me.
The seas are calm.
Yes, that's his daughter.
Hilma.
Very odd girl.
She paints.
Paints.
Thank you.
Hilma.
It's all right.
Whatever it is, it'll be good practice
and it's meant to be good money too.
How do they pay you?
Don't know. I think per drawing.
- Surely. Surely? - How much do they pay?
I don't know. Lots.
Don't care.
Take a good look at the muscles here
and draw how they're connected to the vein
that runs all here.
- The smell is so bad. - I did tell you.
I saw inside the vein.
Oh my.
It's like a whole new world.
- Take this. - No, I can't.
- Take it. I don't need it. - Alright, thank you.
- Want some lunch? - Of course.
Ladies.
Sorry to interrupt.
Mr. Munch would want to invite you to visit his exhibition at Blanch's.
It opens today.
Please, make me an honour.
Don't be sad.
She's safe now where she is.
My sister is always with me.
They all are...
with us.
It's good. It's good.
Always paint it your way.
Good evening, all of thee.
I am Amaliel.
Thank you for opening your eyes to see...
your ears to hear...
your hearts to receive.
All worlds are one.
The divine lives in everything.
I come with a purpose.
The secret worlds shall be revealed.
You have been chosen to document them in your art.
The unseen will be seen.
We'll unveil our truth.
Uncover our secrets for you to document.
It's a world you do not know...
but it lives in all of us.
I saw it.
All of us
are one.
I saw it.
You really saw them?
- What do you mean? - I don't understand.
They want us to paint the invisible worlds.
Hilma, we could lose our souls.
- Cornelia... - There are risks.
We must understand that.
There are risks. Ernst Josephson's gone completely mad.
- That's not fair. - He was already mad. He's a man.
He's been signing his artworks with the names of dead artists.
- We're not doing that. - It's dangerous.
But... I don't understand.
We've all been chosen for this assignment?
They want it to be a painter.
We can all take part, right, Anna?
- We'll all help out. - Right. Of course.
Hilma and Anna?
But... who told you that?
It came from the spirits.
- Well, I'm a painter too. - Of course you are. It's just...
I guess you don't have the education, Cornelia.
- I didn't have that opportunity. - Look, we are all chosen.
We are all chosen. It's important work.
For this to succeed, we all need to contribute.
Are you all accepting of the assignment?
All the hard work that comes with it?
Yes.
We're ready.
Watch out!
There will be a period of preparation for your task.
You will prepare through prayer...
refrain from eating meat...
heavy and unhealthy foods...
You will live selflessly and frugally.
Pray for friend and foe.
O Lord, guide me and give me strength.
Save me from temptation.
Give us your world in truth...
as you've created it.
Amen.
You have to eat something. Here.
Find the truth.
There is no religion higher than truth.
THE SECRET DOCTRINE - H.P. BLAVATSKY
Make a pact between the five of you.
You will know when it is time to show the work.
What did I say?
So much.
I feel so tired.
I can't do this anymore.
No, I'm too tired now.
I just want to see my children.
Sigrid.
It's a divine assignment, Sigrid.
You have so much power.
I have nothing left.
Sigrid, we'll all help you.
We're doing this together.
Lunch? I'm starving. Aren't you?
Not really.
So gender means nothing.
God created only one soul,
then he divided it into two.
Rudolf Steiner describes it.
Two souls. Man and woman.
Now they are drawn to each other. They want to unite again.
So man seeks woman.
And woman seeks man, I assume. But what do I know?
Yes. It's the dual force that brings them together.
And we are going to use that force.
The dual force?
It's a creative force.
The desire to unite.
We can use it in our paintings.
The way you're using it to steal my potatoes?
Yes.
So I have the man's force and you have the woman's.
I seek the man's power and wisdom.
- I'm sure you do. - I do.
And you have the woman's power and warmth, right?
- Do I? - You do.
Warmth?
We're like... hook and eye.
I hope so.
The perfect hook and eye.
Come on.
Hang on a minute.
You're the man. We should have it the other way around.
- You should hook me. - It doesn't matter who's who.
As long as I get to be the man.
Is it...
Is it finished?
Yes.
It's finished.
So unusual.
I didn't paint it myself.
- What do you mean? - You did, Hilma.
You painted it.
I was holding the brush.
But I didn't paint it myself.
But...
I don't know.
It's wonderful.
It was the spirits.
The spirits.
Hilma!
It's extraordinary.
Everyone needs to know.
Everyone!
We must build a temple for our art.
A temple for worship...
of the arts,
of the Lord.
A temple that will inspire future generations.
Where did you get this idea?
I saw it.
The spirits came to me.
So you're ready to show your work?
Here's the entrance.
Our art will hang on the wall here and then...
you rise up to the Divine.
Hilma.
Yes?
Can I help you?
I need my dual soul.
I need that to inspire me.
Do you?
You want to be the hook?
I'll be the eye.
It's big.
It's a big temple.
It's not too big.
All right.
Tell me it's not too big.
Hilma...
- Hilma! - Say it. Say it. Say it.
- Hilma, get off of me. - Say it.
- Get off... Hilma! - Say it.
- What are you doing? - Say it.
Get off.
Say it.
It's not...
The eggs you ordered?
Hilma, get off!
Hilma...
Thank you.
PURPLE
Hilma, what's the matter?
Yeah, I think so.
The one in black is my aunt.
She's the weird one.
Erik!
Stop it.
Come here.
- I just want to see her paintings. - Well, they are nothing to see.
- Why can't I see them? - It's just... What for?
'Cause she's a witch.
When do we get to have a look at what you're up to?
You can't see it yet.
It's not finished.
I can't see it anyway.
Anna, you tell me.
What is it that you're doing?
Well, we received this assignment or commission as Aunt knows.
I know.
And we're getting... instructions, or Hilma gets instructions.
And going well it is,
but sometimes it's hard to understand what comes out of it.
What...?
It's just...
It's hard to see what it's supposed to represent.
You can't see what you paint?
I mean, what they mean,
the paintings.
I thought we could tell the truth.
- We don't know what we're doing? - Do we?
I got an assignment from the spirits...
You got an assignment? Weren't we working together?
Like the hook and the eye!
We were.
You... You gave up on it, didn't you?
I just can't see exactly what you see.
And why do we paint if we can't show people?
I want to show my work.
Why do we keep hiding it? What are we waiting for?
Anna!
Scientists...
...don't present their findings until their research is finished.
I'm not finished.
They need to hang together. As one.
The paintings.
It's part of a map of a world.
So tell me why you're so afraid of sharing them?
I'm not afraid.
So this is part of our ten largest series.
Sorry, excuse me.
Hello. You can leave them over there by the table.
Thank you.
So sorry.
So these are depicting our life cycles from childhood to old age.
- Hilma? - This one's Adulthood.
- Yes? - Sorry, can I just check something?
- I just want to check this yellow. - It looks like the sun.
What do you think?
We will have an exhibition of them in a couple of weeks.
Now you can finally see them.
That's very exciting.
These are some of the ten largest ones.
These are Adulthood and then here is...
Wait.
What do you think?
It's beautiful.
It's wonderful, Hilma.
Hilma?
Hilma, Hilma.
Number six, please.
Can you see anything?
I can see a head.
I think it's the doctor.
That is correct.
Number five, please.
Light! I'm in heaven!
- I'll take care of it. - I can... I can pay it this time.
And this is going to be your new typewriter.
Can I ask if we can get her?
- She seems sweet. - Yeah.
- Thank you. - Thank you.
"The Swede Oscar Swahn won the gold medal
in men's single shot running deer yesterday
during the Olympic Games in London..."
She's really nice.
I can't afford her. You know that.
I'll take care of it. Don't worry.
"...the Swedish swimmer Greta Johansson
also made her debut yesterday..."
The gallerists. They were idiots.
They just can't see it.
I can rent our own space for the exhibition.
It's just across the street.
Thank you.
"The famous Austrian philosopher Rudolf Steiner
pays another visit to Stockholm next week.
He'll be speaking at the Royal Library on 16th..."
Steiner.
My soulmate is coming to Stockholm.
He will understand.
- What's soulmate in German? - Seelenverwandter.
- Seelenverwandter.
- Perfect. - Seelenverwandter.
Seelenverwandter.
I know we will find the truth about our existence
and our unknown dimensions.
Everything is possible,
because there are no essential limits to human knowledge.
Thank you.
- Excuse me, please, please... - Dr. Steiner.
Dr. Steiner, autograph, please.
Hello.
Please sign my book.
Watch Mother. Thomasine.
My friend here speaks German.
Hilma sent Dr. Steiner a letter.
Yes, I will read it.
I'm an admirer of yours.
Dr. Steiner, we have to go.
I've seen what you've seen.
I know what you describe.
Art is eternal. Its form changes.
Dr. Steiner! Could you please sign my...?
That's true.
You wrote that.
Hilma would be very pleased
if you would come to her atelier to view her paintings.
You paint? I'd love to.
Come on.
Impressive.
Did you paint these yourself?
Yes.
Wonderful colours.
I'll have an exhibition here in Stockholm of them
in a month from now.
And what do the paintings depict?
What is depicted, he's asking?
I don't know.
I was hoping Dr. Steiner would explain it to me.
This is Adulthood.
What inspires you, Miss Klint?
What... inspires me?
I get inspired by the High Masters.
The spirits that gave me this assignment.
And my sister, Hermina.
You see...
divine things happen when we put aside our ego
and make room for something else.
Or someone else.
Divine things will happen when we forget ourselves.
This way.
I have been the tool of the spirits.
I painted strictly following their instructions.
So Miss Klint is not herself creatively responsible?
So you're not creatively responsible, he asks.
I... promised the High Masters to obey their will.
They chose me for this assignment.
Yes, I understand, I understand.
But if art doesn't originate in the artist's soul...
it doesn't touch me.
But when art doesn't have its roots in the soul of the artist
it doesn't touch me, he says.
You see, the artist is the one who is responsible creatively.
Yes, otherwise you can hardly call it art.
If the artist is not creatively responsible,
he doesn't think it can be called art.
But your quest is admirable.
If we do not believe there is something higher than ourselves,
we will never find the strength to develop into something higher.
What did he say?
If we do not believe in something... higher than ourselves...
then we shall never find the strength to evolve into something higher.
I don't understand him even if you translate.
What I'm saying is, if I don't understand your art,
then no one will.
If I don't understand your work,
no one will.
Humble gentleman.
Hilma!
Are you all right?
Thank you.
You all right?
What an idiot!
Get up now, Hilma!
He's not worth this.
He doesn't understand art.
He's just a pompous besserwisser.
- He had no right to criticise you. - What does he know about the spirits?
Hilma.
I've brought you some tea and toast.
Here.
Is that jam?
- Yes. Apricot jam. - That's my favourite.
Stop fussing over her.
She's all right.
I can't do it.
We can't show the paintings.
- Cancel the exhibition. - Are you serious?
- You're not thinking straight. - We can't cancel anything now.
- Are you serious? - They were painted for the temple.
- Doesn't matter... - Nothing else.
- Hilma... - Because of one man's opinion?
If he doesn't understand them, no one will.
This is against everything we stood for for years.
We need to show this work. For all of us.
We've been working so long for this, we can't just give up on it now.
Hilma, it's not just your work.
We all worked on them.
Cornelia did a lot of the drawings.
The spirits worked on them, Hilma.
I'm not showing them!
- How do you make it look so real? - That's very kind. Thank you.
Wonderful choices.
I have to admit, I didn't know what to think of your big ones.
The place has provided a lot of the inspiration for me.
Oh, Hilma.
I miss the new ones too.
Do you like them?
Are you all right?
Hilma, drink this, all right?
You all right?
- Have you seen Kandinsky? - Kandinsky! He's Russian.
Fabulous. It's wonderful. It's non-figurative.
Take a moment with each painting.
Kandinsky, as you can see, is entirely unique.
He's what we call non-figurative art.
It's something new and quite breath-taking, I would say.
Take a moment with each painting.
When Kandinsky makes this non-figurative art,
he wants to affect us emotionally,
the way music affects us.
He wants us to stop thinking and only experience...
There you are.
- Kandinsky is the first... - Listen... Hilma!
- ...to make non-figurative art. - What's wrong?
Come on, come and sit down. You're all right. You're all right.
Please concentrate here
on the hoof and the ligaments as they move up into the muscle.
It's nice. Just the two of us again.
I miss this.
You know you can't expect me to keep paying for everything you do.
I want to support your arts, but nothing else.
I don't think there's any art left to support.
I don't paint anymore.
Because of an old codger from Germany!
He's Austrian. And he's my soulmate.
I can't continue to support your romantic interests.
Very nice, ladies. Very nice.
What do you mean?
Don't you think I have eyes?
Thomasine takes care of my mother.
Where does she find the time with everything else that keeps her busy?
Do you care about me?
Am I invisible like everything else you're portraying?
Why should I pay for your obsession with the spirits?
I never asked you to pay for anything for me.
What do I owe you?
How do I get you to see what you're blind to?
You don't even try to see beyond what's here.
- I tried! You just looked away. - You and your mountains and sunsets!
Can't you see anything else?
Not a single penny more from me.
There's a step here.
Ready?
- Here? - Yes.
You all right?
- Welcome home, Anna. - Thank you. So good to see you again.
Soon as we can afford it, we'll move to something bigger.
Thomasine!
Yes.
I'm here.
Who's going to pay for you?
You don't have to worry about that. I'm right here.
We don't have the money.
You know we can't afford you, don't you?
It's not for you to worry about.
I'm so sorry, Thomasine.
When do you need to go back to your work at the doctor's office?
Do you want me to?
No, of course not.
I've been thinking.
I can take care of Mother myself.
I have the time.
Where do you want me to put these?
In the cupboard.
Thank you.
You've never seen that one before, have you?
It's beautiful.
"Dear Anna...
I'm lost.
How do you draw a map when you forgot how to draw?
And you can't see where you are?
I want to understand the universe.
I want to get to know God for real.
Is that too much to ask?"
"Dear Hilma,
I'm so happy to be back home.
Everything I love is here.
God's creation right in front of my eyes.
Visible to everyone.
I don't need your depth of soul to see it, thankfully.
The air here is good for me.
My asthma's almost gone now."
I miss you, Hilma.
"This is us, in the wave we were in.
I made it at your summer house.
Never dared to show you."
"Mr Tryggve Janson suggested
that married women who paid their own taxes,
could get the right to vote.
Carl Persson in Stallerhult disagreed.
'If women were allowed to walk away from their wife duties to vote,
it would hurt the children and create domestic chaos.'"
Sorry.
"Alfred Ander...
the robber, who killed Victoria Hellsten with a steel yard,
was executed today with the guillotine imported from France.
The head was separated from the body at eight to five,
in front of the Langholmen officials."
Why, that's awful.
Can you imagine?
Here you go.
"Dear Anna..."
- What is it? - "I've begun painting again."
- Black swan... - "It's a miracle."
No. A black swan?
"I still take advice from the spirits.
But this time I'm guiding the brush myself.
I think you'll be able to tell what I'm portraying this time.
Thomasine has promised to stay with us for as long as we need her help.
And we do need her right now.
I keep working on that map of the world I told you about.
My sister is helping me.
I'm inspired by her, by the sea,
by all the things we remember from the summers at Adelsö,
while waiting for the temple.
We get by on a few commissions and portraits."
"For everyone that asketh, receiveth.
And he that seeketh, findeth.
And to him that knocketh, it shall be opened."
"Dear Hilma,
I'm happy to hear that you've found a way to support yourself.
There's nothing wrong with showing your art
and even getting paid for it."
"What a Christmas present this year.
Guess who's coming to Stockholm?"
"No, not him again.
You're not going there, are you?
Why are you so obsessed with him?"
Dr. Steiner!
"He has seen God.
And he knows the truth.
And I...
have to find it."
Dr. Steiner!
Welcome back to Sweden.
Do you remember me?
Of course, Miss Klint.
Yes.
Can we talk somewhere in private?
Since we last met,
I paint differently.
I work with the spirits.
I don't allow the spirits...
to take over, to decide.
That's good news, Miss Klint.
Thank you.
Can I show you my work in the future?
I can mail you my miniatures.
Don't go chasing after him again.
You're desperate for his approval.
And he's never going to give it to you.
- Anna, that's ridiculous. - He almost killed your passion...
- He wants to see what I'll paint. - You're obsessed!
- That's not what a soulmate does. - I'm posting him all my miniatures.
- What do you think? - So exciting.
- This will have a view of the water. - So that's the front or the back?
This is... This is the front...
"I've designed an atelier together with the girls.
We're building it at Munsö, next to Adelsö.
It's not the temple.
It's an atelier for me and the girls.
The girls are going to pay for it.
I assume you don't want to be part of it financially."
"How lovely.
Good for you."
Mother, you look wonderful.
- Can I see? - It's not ready.
- Hilma, show her. - Please.
Go on, show me.
Ready?
Lunch!
Hello!
It's Anna.
You came!
You came.
I'm so sorry it's taken so long.
I don't know why I went in the first place.
- It's all right. You're here. - Hello!
- Anna! How are you? - How are you? You look so well.
So good to see you.
Hello, how are you?
- It's so good to see you all. - Did you know about this?
What do you think?
This is beautiful.
Okay.
Did you drop me?
- It's all right. - Thomasine, what is it?
- Someone get help. - She needs air.
- What happened? - Take her scarf off.
- Let's bring her inside. - Please stand back!
Why do you still need her here?
Her job was to take care of your mother!
- You're being ridiculous. - Is she taking care of you now?
What are you suffering from that needs full-time care?
What am I suffering from?
I suffer from being belittled by you right now, Anna.
I suffer from old friends who can't deliver on their commitments.
I suffer, because...
I suffer and you don't.
I'm sorry, Anna.
I never wanted to be your charity case.
I'm embarrassed.
I supported your life, your career. I supported you...
With money you didn't even earn.
I only ever wanted your understanding.
Do you even believe in spirits, Anna?
You never did, did you?
You may have just played along to get to me.
Anna, I'm sorry.
- Anna, I'm sorry. - Get up, Thomasine!
- Where are you going? - You have to take care of Hilma.
Get up! You have to take care of Hilma.
- What's going on? - Get up!
Are you all right? What's going on?
She's sick because of you.
Get up! You have to take care of her.
- Don't touch her. - Get off me. You're sick.
Let's eat.
Have some water, Hilma.
No.
"Dear Miss Klint,
I think it would be interesting to discuss your art a bit further.
We have looked at the miniatures you sent us and we'd be delighted
if you could come and visit us here in Switzerland."
"We have looked at the miniatures you sent us
and we'd be delighted if you could come visit us here in Switzerland."
- "Delighted." Are you sure? - Yes.
Erfreut.
Happy. Glad.
Glad.
It doesn't matter. He wants to see you.
"...where we have the world's centre for anthroposophy."
Passports, please.
Go on. Keep reading.
Hilma af Klint?
Sorry, it's an old photo.
"We have just finished building our temple."
So...
With the permission of the High Masters,
we want to donate our work to Goetheanum.
The temple we've been looking for for so many years.
I'm honoured that you accepted my invitation to come here.
So many new works here.
But you've changed your style, right?
He wonders if you have changed the way that you paint.
No.
Listen.
I think that art that connects us with the spirits...
should be suggestive, poetic.
It should aim for the heart and not for the brain.
What you've got here...
It's too intellectual for us.
Well...
I don't think this kind of art will ever be relevant.
I'm sorry.
What does he say?
He doesn't want them.
What else?
He says that art that manages to connect us to the spirits...
is suggestive, poetic...
and aims for the heart, not for the head.
He thinks your work is too intellectual.
He doesn't have the heart to understand it.
Not the head either.
Tell him.
Tell him that.
First...
First you tell me I shouldn't paint
with the help of my spirits.
Now you tell me that I can't use my brain.
Too intellectual, because you don't understand them.
You have to get over it.
He's dead.
There's nothing you can do about it.
Dr. Steiner, what do you think?
Do you think there will come a day when people will like them?
You're quiet.
So you don't know.
Liar.
You understood everything, didn't you?
Didn't you?
Why can't you admit it?
"My latest sunset.
You can't even tell it's painted by a woman.
Can you?
It's been too long, Hilma.
I'm coming to Stockholm. I need to see you.
My train arrives Thursday next week at ten to five.
Will you meet me there?"
I missed the train, Hilma.
I know.
I know you did.
I'm here now.
Here. Where you are.
I miss you, Anna.
There are so many things I recognise here.
That it would take all this to become a believer!
So this way,
you can walk in a circle
and experience all the big ones that hang together.
They must hang together.
But this way you never walk back. You just keep going.
It's like a spiral-shaped temple,
reaching for the heavens.
Open for worship of...
all religions.
Art and science.
Aunt, I've tried, but...
No one is willing to give us the money to build it, so...
I'm sorry.
Anna would have paid for the temple had she been alive.
- And Thomasine... - Aunt, Aunt.
I'm sorry.
But no one...
No one understands what you're doing.
Then...
burn them all.
Burn them!
There's a woman here to see you.
Hilma.
She says she's your sister.
Oh no.
What does she want?
She said something about building a temple.
I'm sorry, but Mr. af Klint is asleep.
No, I didn't tell him that, did I?
Did I tell him that?
No.
Stop. Stop!
Don't burn them!
Stop!
Hermina.
Where have you been?
I've been here all the time.
I've been looking for you.
Well, you found me.
I found you.
Did you burn them yet?
My paintings?
Did you burn them yet?
No.
I couldn't. I wouldn't.
Good.
20 years.
Give it 20 years...
20 years, what?
Hide them. Hide them.
Until you find my temple.
- 20 years. - 20 years.
One...
two...
three...
four...
five...
six...
seven...
eight,
nine...
19...
20.
20!
I can see it.
The light.
There's no light on earth to describe it.
The truth is Hilma af Klint tells us that her art
isn't abstract imaginations.
She painted what she saw
and what the spirits guided her to paint.
So these are actually observations of spiritual life.
And nobody believed her, of course.
So she painted for us, who would believe.
For the future and for the temple she envisioned.
Ready or not...
here I come.
零...
二、七、八、三、八、 九、八、六、五、八、四。
揚帆起航！
- 向前喊！ - 在那裡。
- 四點！ - 一。
二。
三。
- 我們還在嗎？ - 是的。
眞相是希爾瑪•阿夫•克林特 告訴我們她的藝術
不是抽像的想像。
她畫了她所看到的
以及神靈引導她畫什麼。
有一位女士要見你。
希爾瑪。
她說她是你妹妹。
不好了。
她要什麼？
她說了些什麼 關於建造一座寺廟。
她該死的神殿。
她有一幅圖畫要給你看。
是誰？
女巫希爾瑪。
告訴她我死了。
af Klint 先生睡著了。
他覺得不太舒服。
對不起。
不，不。
我會把它們燒掉。 這就是你想要的，不是嗎？
一，
二，
三...
四個...
五，
六，
七，
八，
九，
十，
十一...
98、
99、
100.
準備好了沒...
我來了。
希爾瑪？
- 當時你在哪裡？ - 在上面。隱藏。
你嚇到我了。
- 我一直都看到你。 - 你是否？
埃爾米娜？
- 你看到什麼了嗎？ - 不。
等待。
我想回家。
科學家不能就這樣回家。 我們需要保持耐心。
我餓了。
我不認為我想要 不再是科學家了。
你發現了什麼？
希爾瑪！看形狀。
是的，這是一個螺旋。
- 這是石器時代的事。 - 很美麗。
一定是。
必須是。
希爾瑪！
你好。
這是一具骷髏。
但他們為什麼要挖它呢？
他們想研究它。
他們也是科學家。
赫米娜，你怎麼知道那是「她」？
- 你可以看出來。 - 如何？
來自骨骼。
- 在那裡。 - 這不可能。
這是石器時代的士兵 那是一個她。
- 吃一些越橘。 - 謝謝。
- 我的繪畫。 - 小心。
- 那些鳥兒... - 埃爾米娜。
- 我想研究鳥類。 - 是的，鳥類和所有動物。
還有花朵，所有生長的東西......
你無法確定性別 基於骨架。荒誕！
- 荒唐嗎？ - 古斯塔夫，別那麼肯定。
這根本不科學，不是嗎？ 如果你想到的話...
- 希爾瑪？ - 我在這。
我們在地圖上的什麼位置？
古斯塔夫•AF•克林特 (Gustaf AF KLINT) 繪製的航海圖
這裡某處。
看！號碼。
是的。
他測量了一切。
祖父也是一位科學家。
35.
18.
他航行了整個世界。
27.
來測量深度。到處。
所以船不會 在它們上打洞然後下沉。
這是正確的。
一尋...
兩尋...
三噚...
13噚...
14噚，
15噚。
能深入多深？
深的。
有一天我們會製作自己的地圖，赫米娜。
一切。
世間一切。
還有其他一切。
因為我們是科學家。
98、99、100。
不管你準備好沒，我來了！
你對我來說太快了。
那咳嗽是怎麼回事？
- 她怎麼樣？ - 你現在不能進去。
- 為什麼？為什麼？讓我走... - 她需要休息。
為什麼？
她的燒退了嗎？
希爾瑪！
希爾瑪！希爾瑪！
- 不... - 爸爸，求你了，我得見她！
- 不，不。 - 請。請。
希爾瑪。
不。
告訴我你在哪裡，赫米娜。
然後，突然間，
天剛黑了…
這些非常強的風襲來，
所以從...
絕對不知從何而來，
我們發現自己 在狂風暴雨之中。
我想研究這個世界...
看看事物是如何連結起來的。
你有興趣嗎 除了花還有什麼？
數學，
幾何、生物學、
天文學。
我父親教會了我一切。
那麼藝術呢？
藝術...
是一個工具
在我的研究中。
一個工具？
是的。
我們正在繪製一切的地圖。
我們？
我需要學習如何畫畫。
哦，是的，我的意思是，這些非常 裝飾性，但我必須這麼說。
- 他們是研究。 - 學習？研究什麼？
我不是故意裝飾的。
來自未知世界的訊息
皇家美術學院
打擾一下，你要去哪裡？
藝術家技術學校。
對於畫家來說。
女士入口位於後方。
這裡有一個小錯誤，小姐。
我們有一些非常有才華的人 女畫家在這裡
自從我們開始 幾年前的女士區。
一些非常藝術的東西。
看看去年的這個。
你甚至無法分辨 這是一個女人畫的，你能嗎？
不。
你可以嗎？
老師的寵物。
你看到了嗎？
- 他來了... - 她生氣了。
畫出你所看到的。
我們對你的幻想不太感興趣。
我的幻想？
那些東西不是眞的嗎？
克林特小姐，請說句話。
那麼希爾瑪想在這裡學到什麼呢？
我想了解生命的秘密。
還有其他一切。
我是安娜。
- 很高興見到你。我是希爾瑪。 - 我正在試穿一件新衣服。
你想一起去嗎？
- 他們住在 Kammakargatan。 - 哪一條路？
我想是這樣的。
不好了。僅限女性。
使用前門，年輕人。
好的。
繼續進去。
你太可笑了。
我有我的辦法。
很多這樣的衣服。
一個適合這個季節的。
打擾一下。
通靈論經文
希爾瑪，你覺得怎麼樣？ 是不是很華麗？
- 很美麗。 - 看看它如何移動。
- 太感謝了。 - 這對你來說很完美。
我喜歡它。
拿一個。
- 謝謝。 - 我們每月發佈一次。
這裡。你想要一個嗎？
這是我的妹妹瑪蒂達。 她是編輯。
- 這是我們的雜誌。 - 謝謝。
這是關於招魂術的。
科妮莉亞負責繪圖。 我負責寫作。
- 我願意。 - 你從來沒有告訴我你是藝術家。
- 她也是個好人。 - 我不是像你一樣的藝術家。
希爾瑪也是一位令人難以置信的藝術家。
- 她和我一起去學校。 - 你？
我好羨慕啊
眞理探索者
「精神永存 通過時間和地點。
所有物質都是有意識的。
一切物質都有生命。
一切生命都會輪迴。
今天，當我們的基督教信仰
正在被質疑和破壞…
我們仍然可以信任 在靈魂存在的情況下。
他們圍繞著我們...
並且總是願意 與我們溝通。
那是西格麗德。 她是一個非常強大的媒介。
這種更高的意識 是我們自己不朽的部份。
永不消亡的部份。
就像我們睡覺時一樣
和我們的夢想 將我們的身體從思想中解放出來…
死亡能解放精神，
以便我們能夠轉世 並回到這個地球。
我們神智學家認為沒有衝突
科學與宗教信仰之間。
但這是宗教，
所有宗教...
解釋了眞相 我們的更高意識。
看不見的東西。
我死了， 但我可以從上方看到自己
躺在醫院的病床上。
- 不！ - 看到了？
我就像漂浮著一樣， 看不起我自己。
我看到醫生打了我的臉，
試圖叫醒我。
但我已經死了。
但我能看到和聽到一切。
我在另一個世界。
- 然後有一道明亮的光...... - 光？
……在我周圍旋轉。
這很難解釋，因為 地球上沒有像這樣的光。
她甚至還沒死。 她出現了幻覺。
她活了下來。
洞察隱藏的生活 人類靈魂的
希爾瑪，卡塞爾小姐來了。
未來！
- 西格麗德。 - 你好。
- 我是希爾瑪。 - 希爾瑪。很高興認識你。
很高興見到你。 你的家很漂亮。
- 你好，我是安娜。科妮莉亞的朋友。 - 我聽說你們兩個都要來。
- 謝謝你邀請我們。 - 當然。
聆聽夢想。
為了所有的夢想。
沒有知識...
這個境界衹是一個幻像。
這是一個螺旋。
這是關鍵。
消失。
刷與無限已近。
一位天使出現在這裡。
勇於專註於夢想。
呼吸結束時有一把鑰匙。
七個門檻。
三是第一波。
而且，呃...
- 嗯，你好。 - 哦拜託...
來吧，愛人。 這裡發生了什麼事？
我告訴過你我們是 今晚有一個聚會。
一場聚會？
所以這是一場聚會？
你早該告訴我的。 我會帶更多的朋友。
親愛的。親愛的，過來吧。
你有遇過男生嗎 你喜歡學校裡的那個地方嗎？
我愛他們。
愛他們所有人。
維克多，甜點！
是的。未來。
你不會畫畫 為了永恆，你是嗎？
沒有人願意娶女孩 誰整天都在畫畫。
我上學不是為了結婚。
爸爸，來吧。
你知道我們買不起 照顧你。
我知道。
勝利者！
是的。有問題嗎？
問媽媽。
我沒有問題。
你應該去參戰 而不是拉小提琴。
我應該找個丈夫代替 在藝術學校浪費時間。
對吧，媽媽？
你能衹一次嗎 做一些女孩會做的事？
甜點吃什麼？
當你想到 這棟大樓有多少年歷史了...
我們最傑出的學生。
希爾瑪•阿夫•克林特。請。
我剛剛聽說！ 你和我將共用一個工作室。
天啊。 我不確定我要做什麼。
我以為我必須活下去 放學後和我的父母在一起。
貝兒，什麼是 你在用花做什麼？
- 把它們交給你的兄弟？ - 不。
不，這是……貝兒！
記住你非常愛你的兄弟。
而你想送他花。
可以送花給我們嗎？ 那裡。
然後把下巴放低一點。
愛情的信物。
把手從口袋裡掏出來 並站直。
- 對不起。 - 貝兒，請。
不用擔心。別管它。 我已經把它畫進去了
花在她的背後。 我衹畫我所看到的。
如果你能想像花朵 被介紹給她的哥哥...
門前花朵盛開。
我們開始吧。美麗的花朵。
「要眞正了解這個世界......
深入地審視自己的靈魂。
並眞正了解自己...
對世界產生興趣。
那挺好的。
說得通。
“在世界上...”
就是這樣。
誰寫的？
魯道夫‧施泰納，奧地利喆學家。
他說色彩是靈魂 自然和宇宙。
並通過顏色 我們収到來自靈魂的訊息。
那也很好。
我一定遇過 這個人的前世。
他就像我的靈魂伴侶。
我很快就需要賣掉一幅畫。
你？為什麼？
我需要那些錢。
爺爺給我們取了一個高貴的名字…
但錢沒來 不幸的是，有了它。
我恰恰相反。
通用名。錢罐子。
我對金錢從來不感興趣。
衹有有錢人才不在乎錢。
看這個。
她們是如此美麗。 看看那些鳥。你知道嗎？
如果我能死的話...
就一秒鐘...
衹是為了看看會發生什麼 看起來像在另一邊...
我不確定。
「另一邊」在哪裡？
它是什麼樣子的？
一個達到靈魂深度的人...
會看看這個 他們不會衹看到水......
他們看見上帝的創造。
聽到了嗎，水？ 你是上帝的創造物。
眞是太高興了聽這個。
快點！快點！
我回到海上了，希爾瑪。
我的心。
但不用擔心我。
海面很平靜。
是的，那是他的女兒。
希爾瑪。
很奇怪的女孩。
她畫畫。
油漆。
謝謝。
希爾瑪。
沒關係。
不管是什麼，這都是一個很好的練習
這也應該是一筆好錢。
他們如何付錢給你？
不知道。我認為每張圖。
- 當然。一定？ - 他們付多少錢？
我不知道。很多。
別在意。
仔細看看這裡的肌肉
並畫出他們的樣子 與靜脈相連
都在這裡運行。
- 氣味太難聞了。 - 我確實告訴過你了。
我看到了靜脈內部。
天啊。
這就像一個全新的世界。
- 拿著它。 - 不，我不能。
- 拿去。我不需要它。 - 好的，謝謝。
- 想要吃午餐嗎？ - 當然。
女士們。
抱歉打擾。
蒙克先生想邀請你 參觀他在布蘭奇的展覽。
今天開業。
請讓我感到榮幸。
別傷心。
她現在所在的地方很安全。
我姐姐總是和我在一起。
他們都是...
和我們。
很好。很好。
始終按照您的方式進行繪製。
大家晚上好。
我是阿瑪列。
謝謝你睜開眼睛看到...
你的耳朵要聽...
你的心接収。
一切世界皆為一。
神性存在於一切之中。
我帶著一個目的而來。
秘密世界將會被揭露。
你已被選中 在你的藝術中記錄它們。
看不見的將會被看見。
我們將揭露我們的眞相。
揭開我們的秘密，供您記錄。
這是一個你不知道的世界...
但它存在於我們所有人之中。
我看到了。
我們所有人
是一。
我看到了。
你眞的看到他們了嗎？
- 你是什麼意思？ - 我不明白。
他們要我們畫畫 看不見的世界。
希爾瑪，我們可能會失去靈魂。
- 柯妮莉亞... - 有風險。
我們必須明白這一點。
有風險。恩斯特•約瑟夫森 完全瘋了。
- 這不公平。 - 他已經生氣了。他是個男人。
他在自己的作品上簽名 以及已故藝術家的名字。
- 我們不會那樣做。 - 這很危險。
但是……我不明白。
我們都被選中了 為了這個任務？
他們希望它成為一名畫家。
我們都可以參加，對吧，安娜？
- 我們都會幫忙。 - 正確的。當然。
希爾瑪和安娜？
但是……是誰告訴你的？
它來自於靈魂。
- 嗯，我也是畫家。 - 當然是。衹是...
我猜你沒有 教育，科妮莉亞。
- 我沒有那個機會。 - 看，我們都被選中了。
我們都是被選中的。 這是一項重要的工作。
為了這次成功， 我們都需要做出貢獻。
大家都接受任務了嗎？
隨之而來的所有辛苦工作？
是的。
我們準備好了。
小心！
會有一個時期 為您的任務做準備。
你將透過祈禱做好準備......
不吃肉...
重的和不健康的食物...
你會無私、節儉地生活。
為朋友和敵人祈禱。
主啊，請引導我並賜給我力量。
救我脫離誘惑。
給我們你眞實的世界......
正如您創建的那樣。
阿門。
你必須吃點東西。這裡。
找到眞相。
沒有任何宗教比眞理更高。
秘密教義 - 生命値。布拉瓦茨基
你們五個人之間立下契約。
你會知道 到了展示作品的時候。
我說了什麼？
非常。
我覺得好累。
我不能再這樣做了。
不，我現在太累了。
我衹想看看我的孩子。
西格麗德.
這是神聖的任務，西格麗德。
你有這麼大的力量。
我什麼都沒有剩下了。
西格麗德，我們都會幫助你。
我們正在一起做這件事。
午餐？我餓死了。你不是嗎？
並不眞地。
所以性別沒有任何意義。
上帝衹創造了一個靈魂，
然後他把它分成兩個部份。
魯道夫•施泰納對此進行了描述。
兩個靈魂。男人和女人。
現在他們互相吸引。 他們想再次團結起來。
所以男人尋找女人。
我想女人會找男人。 但我知道什麼？
是的。這就是雙重力量 這讓他們走到了一起。
我們將使用這種力量。
雙重力量？
這是一種創造力。
團結的願望。
我們可以在我們的繪畫中使用它。
你使用它的方式 偷我的馬鈴薯？
是的。
所以我有男人的力量 你有女人的。
我尋求這個人的力量和智慧。
- 我相信你會的。 - 我願意。
你有 女人的力量和溫暖吧？
- 我是嗎？ - 你做。
溫暖？
我們就像...鉤眼。
但願如此。
完美的鉤眼。
快點。
等一下。
你就是那個男人。我們應該 反之亦然。
- 你應該勾引我。 - 誰是誰並不重要。
衹要我能成為男人。
是嗎...
完成了嗎？
是的。
都結束了。
太不尋常了。
不是我自己畫的。
- 你是什麼意思？ - 你做到了，希爾瑪。
你畫的。
我拿著畫筆。
但不是我自己畫的。
但...
我不知道。
太棒了。
這是靈魂。
靈。
希爾瑪！
這是非凡的。
每個人都需要知道。
每個人！
我們必須為我們的藝術建造一座殿堂。
一座供奉神靈的寺廟...
藝術的，
主的。
一座寺廟 將激勵後代。
你從哪裡得到這個想法的？
我看到了。
靈魂來到我身邊。
那麼你準備好展示你的作品了嗎？
這裡是入口。
我們的藝術將懸掛 在這裡的牆上然後...
你上昇到神聖。
希爾瑪。
是的？
我可以幫你嗎？
我需要我的雙重靈魂。
我需要它來激勵我。
你？
你想成為鉤子嗎？
我來當眼睛吧
它很大。
這是一座大寺廟。
不太大。
好的。
告訴我這不是太大。
希爾瑪...
- 希爾瑪！ - 說吧。說吧。說吧。
- 希爾瑪，從我身上下來。 - 說吧。
- 下車...希爾瑪！ - 說吧。
- 你在幹什麼？ - 說吧。
下車。
說吧。
它不是...
你訂的雞蛋？
希爾瑪，下車！
希爾瑪...
謝謝。
紫色的
希爾瑪，怎麼了？
是的，我想是的。
穿黑衣服的是我姑媽。
她就是那個奇怪的人。
埃里克！
停下來。
過來。
- 我衹是想看她的畫。 - 好吧，他們沒什麼好看的。
- 為什麼我看不見他們？ - 衹是... 為了什麼？
因為她是女巫。
我們什麼時候才能擁有 看看你在忙什麼？
你還看不到它。
事情還沒完成。
反正我是看不到。
安娜，你告訴我。
你在做什麼？
好啦，我們接到了這個任務 或阿姨知道的佣金。
我知道。
我們収到...指示， 或希爾瑪得到指示。
而且進展順利，
但有時很難 了解從中產生的結果。
什麼...？
衹是...
很難看到 它應該代表什麼。
你看不到你畫的東西嗎？
我的意思是，他們的意思是，
畫作。
我以為我們可以說實話。
- 我們不知道自己在做什麼？ - 我們要不要？
我接到了精靈的任務...
你有任務嗎？ 我們不是一起工作的嗎？
就像鉤子和眼睛一樣！
我們曾經。
你……你已經放棄了，不是嗎？
我衹是無法準確地看到你所看到的。
我們為什麼要畫畫 如果我們不能向人們展示呢？
我想展示我的作品。
為什麼我們一直隱藏它？ 我們還在等什麼？
安娜！
科學家們...
……不要展示他們的發現 直到他們的研究完成。
我還沒說完。
他們需要團結在一起。作為一個。
畫作。
它是世界地圖的一部份。
所以告訴我 為什麼你這麼害怕分享它們？
我不害怕。
所以這是一部份 我們十大系列之一。
抱歉，打擾一下。
你好。你可以離開他們 那邊桌子旁邊。
謝謝。
非常抱歉。
所以這些都在描繪我們的生活 從童年到老年的循環。
- 希爾瑪？ - 這個已經成年了。
- 是的？ - 抱歉，我可以檢查一下嗎？
- 我衹是想檢查一下這個黃色。 - 看起來像太陽。
你怎麼認為？
我們將舉辦一個展覽 幾週後。
現在你終於可以看到他們了。
這非常令人興奮。
這些是十大其中的一些。
這些是成年期，然後是......
等待。
你怎麼認為？
很美麗。
太棒了，希爾瑪。
希爾瑪？
希爾瑪，希爾瑪。
第六號，請。
你能看到什麼嗎？
我能看到一個頭。
我認為是醫生。
那是對的。
請第五名。
光！我在天堂！
- 我會處理的。 - 我可以...這次我可以付錢。
這正在發生 成為你的新打字機。
請問我們能找到她嗎？
- 她看起來很可愛。 - 是的。
- 謝謝。 - 謝謝。
」瑞典選手奧斯卡•斯瓦恩奪得金牌
在男子單打比賽中 昨天奔跑的鹿
在此期間 倫敦奧運…”
她眞的很好。
我買不起她。你懂的。
我會處理的。不用擔心。
「……瑞典游泳運動員 葛蕾塔•約翰遜
昨天也首次亮相…”
畫廊主們。他們是白痴。
他們衹是看不到而已。
我可以租 我們自己的展覽空間。
它就在街對面。
謝謝。
「有名的 奧地利喆學家魯道夫‧施泰納
再次拜訪 下週去斯德哥爾摩。
他會說話 16 日在皇家圖書館…”
施泰納。
我的靈魂伴侶要來斯德哥爾摩了。
他會明白的。
- 德語的靈魂伴侶是什麼？ - 參見倫弗萬特。
- 參見倫弗萬特。
- 完美的。 - 參見倫弗萬特。
參見倫弗萬德特。
我知道我們會找到眞相 關於我們的存在
以及我們未知的維度。
一切皆有可能，
因為沒有本質的限制 到人類的知識。
謝謝。
- 對不起，求你了，求你了… - 斯坦納博士。
史坦納博士，請簽名。
你好。
請在我的書上簽名。
觀察媽媽。托馬辛.
我這裡的朋友會說德語。
希爾瑪給史坦納博士寫了一封信。
是的，我會讀它。
我是你的崇拜者。
史坦納博士，我們得走了。
我已經看到你所看到的了。
我知道你所描述的。
藝術是永恆的。它的形式發生變化。
斯坦納博士！ 你能在我的...上簽名嗎？
這是眞的。
你寫的。
希爾瑪會很高興
如果你願意來 到她的工作室欣賞她的畫作。
你畫畫嗎？我喜歡。
快點。
感人的。
這些都是你自己畫的嗎？
是的。
美妙的色彩。
我要辦個展覽 他們在斯德哥爾摩
從現在起一個月後。
這些畫描繪了什麼？
他問，描繪的是什麼？
我不知道。
我希望斯坦納博士 會向我解釋的。
這就是成年期。
是什麼激勵了你，克林特小姐？
是什麼……激勵了我？
我受到高級大師的啟發。
給我這個任務的靈魂。
還有我的妹妹赫米娜。
你看...
神聖的事情發生 當我們拋開自我
並為其他東西騰出空間。
或其他人。
神聖的事情將會發生 當我們忘記自己。
這邊走。
我一直是神靈的工具。
我畫得很嚴格 按照他們的指示。
所以克林特小姐是 她自己沒有創造性的責任嗎？
所以你沒有創造性的責任， 他問。
我答應了 高主們服從他們的意志。
他們選擇我來執行這項任務。
是的，我明白，我明白。
但如果藝術並非起源 在藝術家的靈魂裡...
它對我沒有影響。
但當藝術沒有 它植根於藝術家的靈魂
「這對我沒有影響，」他說。
你看，藝術家就是那個 誰負責創造性。
是的，否則 你很難稱之為藝術。
如果藝術家不是 創造性地負責，
他認為這不能稱為藝術。
但你的追求令人欽佩。
如果我們不相信有 比我們自己更高的東西，
我們永遠找不到力量 發展成更高的東西。
他說什麼？
如果我們不相信某件事...... 比我們自己還高...
那我們將永遠找不到力量 進化成更高的東西。
我不明白他 即使你翻譯。
我想說的是， 如果我不懂你的藝術
那就沒有人會了。
如果我不明白你的工作
沒人會。
謙虛的紳士。
希爾瑪！
你沒事吧？
謝謝。
你沒事吧？
眞是個傻瓜！
希爾瑪，快起來！
他不値得這個。
他不懂藝術。
他衹是一個自以為是的自以為是的人。
- 他沒有權利批評你。 - 他對靈魂了解多少？
希爾瑪。
我帶了一些茶和吐司給你。
這裡。
那是果醬嗎？
- 是的。杏桃醬。 - 這是我最喜歡的。
別再為她折騰了。
她沒事。
我做不到。
我們不能展示畫作。
- 取消展覽。 - 你是認眞的？
- 你的思維不正常。 - 我們現在不能取消任何事情。
- 你是認眞的？ - 它們是為寺廟而畫的。
- 沒關係... - 沒有其他的。
- 希爾瑪... - 因為一個人的意見？
如果他不明白這些， 沒人會。
這違背了一切 我們站了很多年。
我們需要展示這個作品。 為了我們大家。
我們為此努力了很久 我們現在不能放棄它。
希爾瑪，這不僅僅是你的工作。
我們都在努力解決這些問題。
科妮莉亞畫了很多畫。
希爾瑪，靈魂在他們身上運作。
我不會給他們看的！
- 你如何讓它看起來如此眞實？ - 非常友善。謝謝。
很棒的選擇。
我必須承認，我不知道 怎樣看待你的大人物。
該地方已提供 給我很多啟發。
哦，希爾瑪。
我也想念新的。
你喜歡他們嗎？
你沒事吧？
希爾瑪，喝這個，好嗎？
你沒事吧？
- 你看過康丁斯基嗎？ - 康丁斯基!他是俄羅斯人。
極好。太棒了。 這是非具像的。
每幅畫都花點時間。
正如你所看到的，康丁斯基 是完全獨一無二的。
他就是我們所說的非具像藝術。
這是新事物 我想說，這眞是令人嘆為觀止。
每幅畫都花點時間。
當康丁斯基創作時 這種非具像的藝術，
他想在情感上影響我們，
音樂影響我們的方式。
他要我們停止思考 並且衹有經歷...
你在這。
- 康丁斯基是第一個... - 聽著…希爾瑪！
- ...製作非具像藝術。 - 怎麼了？
來吧，過來坐吧。 你沒事吧。你沒事吧。
請集中在這裡
在蹄和韌帶上 當它們向上移動到肌肉中。
這眞好。又衹剩我們兩個人了。
我想念這個。
你知道你不能指望我 繼續為你所做的一切付出代價。
我想支持你的藝術， 但沒有別的。
我不認為有 任何需要支持的藝術。
我不再畫畫了
因為一個德國老傢伙！
他是奧地利人。 他是我的靈魂伴侶。
我無法繼續 支持您的浪漫興趣。
非常好，女士們。很不錯。
你是什麼意思？
你以為我沒有眼睛嗎？
托馬辛照顧我的母親。
她哪裡有時間和 還有其他讓她忙碌的事嗎？
你在乎我嗎？
我和其他事物一樣是隱形的嗎 你在描繪？
我為什麼要付錢 因為你對靈魂的執著？
我從來沒有要求你付錢 為我做任何事。
我欠你什麼？
我怎樣才能得到你 看看你對什麼視而不見？
你甚至不 嘗試超越這裡。
- 我試過！你衹是移開視線。 - 你和你的山脈和日落！
你看不到其他東西嗎？
我一分錢也沒多。
這裡有一個步驟。
準備好？
- 這裡？ - 是的。
你沒事吧？
- 歡迎回家，安娜。 - 謝謝。很高興再次見到你。
衹要我們負擔得起， 我們將轉向更大的目標。
托馬辛！
是的。
我在這。
誰來為你付錢？
你不用擔心 關於那個。我在這兒。
我們沒有錢。
你知道我們負擔不起你的費用，不是嗎？
這不用你擔心。
我很抱歉，托馬辛。
什麼時候需要回去 去醫生辦公室工作嗎？
你想要我這麼做嗎？
不，當然不是。
我一直在想。
我自己可以照顧媽媽。
我有時間。
你想讓我把這些放在哪裡？
在櫥櫃裡。
謝謝。
你從未見過 之前那個，你有嗎？
很美麗。
「親愛的安娜...
我迷路了。
你怎麼畫地圖 當你忘記如何畫畫？
而且你看不到自己在哪裡？
我想了解宇宙。
我想眞正認識神。
那是過份的要求？
「親愛的希爾瑪，
我很高興回到家。
我所愛的一切都在這裡。
上帝的創造就在我眼前。
所有人都可以看到。
我不需要你的深度 謝天謝地，我的靈魂看到了它。
這裡的空氣對我來說很好。
我的氣喘現在幾乎消失了。
我想念你，希爾瑪。
「這就是我們，在我們所處的浪潮中。
我在你的避暑別墅做的。
一直不敢給你看。
「Tryggve Janson 先生建議
那些已婚婦女 誰繳了自己的稅款，
可以獲得投票權。
斯塔勒胡特的卡爾•佩爾森不同意這種觀點。
「如果允許女性走開 從妻子的職責中投票，
這會傷害孩子們 並製造國內混亂。
對不起。
「阿爾弗雷德•安德...
強盜，誰殺了 維多利亞•赫爾斯滕（Victoria Hellsten）有一個鋼圍場，
今天被處決 從法國進口的斷頭臺。
頭被分開了 從八點到五點的身體，
在...前面 朗霍爾曼官員。
為什麼，那太糟糕了。
你可以想像？
幹得好。
“親愛的安娜...”
- 它是什麼？ - “我又開始畫畫了。”
- 黑天鵝... - “這是一個奇蹟。”
不，黑天鵝？
「我仍然接受神靈的建議。
但這一次 我親自指導刷子。
我想你會知道 這次我要描繪的是什麼。
托馬辛已答應留下來 衹要我們需要她的幫助，我們就會一直陪伴著我們。
我們現在確實需要她。
我繼續研究那張地圖 我告訴過你的世界。
我姐姐正在幫助我。
我受到她、大海的啟發，
我們記得的所有事情 從阿德爾索的夏天開始，
在等待寺廟的時候。
我們挺過去了 一些委託和肖像畫。
「凡祈求的，就必得著。
凡尋求的，就尋見。
對於敲門的人來說， 它將被打開。
「親愛的希爾瑪，
我很高興聽到你 找到了養活自己的方法。
沒有什麼問題 展示你的藝術
甚至還因此獲得報酬。
「今年的聖誕禮物多好。
猜猜誰要來斯德哥爾摩？
「不，又不是他了。
你不會去那裡，對嗎？
你為何對他如此著迷？
斯坦納博士！
「他見過上帝。
他知道眞相。
和我...
必須找到它。
斯坦納博士！
歡迎回到瑞典。
你還記得我嗎？
當然，克林特小姐。
是的。
我們可以找個地方私下談談嗎？
自從我們上次見面以來，
我畫得不一樣。
我與靈魂一起工作。
我不允許靈魂...
接管，決定。
這是個好消息，克林特小姐。
謝謝。
以後我可以給你展示我的作品嗎？
我可以把我的微縮模型郵寄給你。
別再追他了。
你非常渴望得到他的認可。
他永遠不會把它給你。
- 安娜，這太荒謬了。 - 他幾乎扼殺了你的熱情...
- 他想看看我會畫什麼。 - 你著迷了！
- 這不是靈魂伴侶該做的事。 - 我正在把我所有的微縮模型寄給他。
- 你怎麼認為？ - 如此令人興奮。
- 這樣可以看到水景。 - 那是正面還是背面？
這是……這是正面……
「我設計了一個工作室 和女孩們在一起。
我們正在Munsö 建造它， 阿德爾索旁邊。
這不是寺廟。
這是我和女孩們的工作室。
女孩們將為此付出代價。
我假設你不要 在經濟上成為其中的一部份。
“多麼可愛。
對你有好處。
媽媽，你看起來棒極了。
- 我可以看嗎？ - 還沒準備好。
- 希爾瑪，給她看。 - 請。
來吧，給我看看。
準備好？
午餐！
你好！
是安娜。
你來了！
你來了。
我很抱歉花了這麼長時間。
我不知道 為什麼我會先去。
- 沒關係。你在這裡。 - 你好！
- 安娜！你好嗎？ - 你好嗎？你看起來很好。
很高興見到你。
你好嗎？
- 很高興見到你們大家。 - 你知道這件事嗎？
你怎麼認為？
這很漂亮。
好的。
你丟下我了嗎？
- 沒關係。 - 托馬辛，這是什麼？
- 有人尋求幫助。 - 她需要空氣。
- 發生了什麼事？ - 把她的圍巾拿下來。
- 我們帶她進去吧 - 請退後！
為什麼你還需要她在這裡？
她的工作就是照顧你媽媽！
- 你太可笑了。 - 她現在照顧你嗎？
你有什麼痛苦 需要全職照護嗎？
我到底患了什麼病？
我因被貶低而痛苦 現在就在你身邊，安娜。
我因老朋友而不能 兌現他們的承諾。
我痛苦，因為...
我受苦而你卻沒有。
對不起，安娜。
我從來不想成為你的慈善案例。
我很尷尬。
我支持你的生活， 你的職業。我支持你...
錢你根本沒有賺到。
我衹想要你的理解。
安娜，你相信有靈魂嗎？
你從來沒有這樣做過，對嗎？
你可能剛剛 一起玩來找到我。
安娜，對不起。
- 安娜，對不起。 - 起來，托馬辛！
- 你要去哪裡？ - 你必須照顧希爾瑪。
起床！ 你必須照顧希爾瑪。
- 這是怎麼回事？ - 起床！
你沒事吧？這是怎麼回事？
她因為你而生病了。
起床！你必須照顧她。
- 別碰她。 - 放開我。你生病了。
我們吃飯吧。
喝點水吧，希爾瑪。
不。
“親愛的克林特小姐，
我覺得這會很有趣 進一步討論你的藝術。
我們看過微縮模型 你派我們來的，我們會很高興
如果你能來拜訪我們嗎 在瑞士這裡。
「我們已經看過 在你寄給我們的微縮模型上
如果您可以的話我們會很高興 來瑞士拜訪我們吧。
- “高興極了。”你確定嗎？ - 是的。
埃爾弗洛伊特。
快樂的。高興的。
高興的。
沒關係。 他想見你。
「...我們擁有世界上 人智學中心。
請出示護照。
繼續。繼續閱讀。
希爾瑪•阿夫•克林特？
抱歉，這是一張舊照片。
「我們剛剛結束 建造我們的寺廟。
所以...
經大法師許可，
我們想將我們的作品捐贈給歌德殿。
我們一直在尋找的寺廟 這麼多年了。
我很榮幸你接受了 我邀請你來這裡。
這裡有很多新作品。
但你已經改變了你的風格，對吧？
他想知道你是否改變了 你畫畫的方式。
不。
聽。
我認為藝術 它將我們與靈魂聯繫起來......
應該是有啟發性的、詩意的。
應該瞄準心臟 而不是為了大腦。
你這裡有什麼...
這對我們來說太理智了。
出色地...
我不認為這種藝術 將永遠相關。
對不起。
他說什麼？
他不要它們。
還有什麼？
他說藝術能夠管理 將我們與靈魂連結起來......
具有闇示性、詩意...
目標是心靈，不是頭腦。
他認為你的工作太理性了。
他沒有 心裡明白了。
頭也不是。
告訴他。
告訴他這一點。
第一的...
首先你告訴我我不該畫畫
在我的精神的幫助下。
現在你告訴我 我無法使用我的大腦。
太知性了， 因為你不理解他們。
你必須克服它。
他死了。
你對此無能為力。
史坦納博士，你覺得怎麼樣？
你認為會有那麼一天嗎 人們什麼時候會喜歡他們？
你很安靜。
所以你不知道。
說謊者。
你已經明白一切了，不是嗎？
你沒有嗎？
為什麼你就不能承認呢？
「我最近的日落。
你甚至無法分辨 這是一個女人畫的。
你可以嗎？
已經太久了，希爾瑪。
我要來斯德哥爾摩了 我需要見你。
我的火車星期四到達 下週十點到五點。
你會在那裡遇見我嗎？
我錯過了火車，希爾瑪。
我知道。
我知道你做到了。
我現在在這裡。
這裡。你在哪裡。
我想你，安娜。
有很多事情 我認得這裡。
這將需要這一切 成為信徒！
所以這樣一來，
你可以繞圈走
和經驗 所有大的東西都掛在一起。
他們必須團結在一起。
但這樣你就永遠不會回頭。 你就繼續吧。
它就像一座螺旋形的寺廟，
到達天堂。
開放供崇拜...
所有宗教。
藝術與科學。
姑媽，我已經盡力了，但是...
沒有人願意給我們 建造它的錢，所以...
對不起。
安娜會付錢的 如果她還活著的話，那是為了聖殿。
- 還有托馬辛... - 阿姨，阿姨。
對不起。
但沒有人...
沒有人明白你在做什麼。
然後...
把它們全部燒掉。
燒掉他們！
有一位女士要見你。
希爾瑪。
她說她是你妹妹。
不好了。
她要什麼？
她說了些什麼 關於建造一座寺廟。
對不起， 但阿夫•克林特先生睡著了。
不，我沒有告訴他，不是嗎？
我有告訴過他嗎？
不。
停止。停止！
別燒它們！
停止！
埃爾米娜。
你去哪裡了？
我一直都在這裡。
我一直在找你。
嗯，你找到我了。
我找到你。
你把它們燒了嗎？
我的畫？
你把它們燒了嗎？
不。
我不能。我不會。
好的。
廿年。
給它廿年...
廿年，什麼？
隱藏它們。隱藏它們。
直到你找到我的寺廟。
- 廿年。 - 廿年。
一...
二...
三...
四個...
五...
六...
七...
八，
九...
19...
20.
20！
我能看到它。
光。
地球上沒有光可以描述它。
事實是 Hilma af Klint 告訴我們她的藝術
不是抽像的想像。
她畫了她所看到的
以及神靈引導她畫什麼。
所以這些其實是 對精神生活的觀察。
當然，沒有人相信她。
所以她為我們畫畫，誰會相信。
為將來 以及她所設想的寺廟。
準備好了沒...
我來了。